And then in kindergarten, there
was a piano in the classroom. Karen’s teacher called the principal to come
listen. When her mother came to pick her up, Karen’s audience had filled the
room, sitting enraptured all day. They learned to establish rules, times for
Karen to play. Because once she started, everything else stopped.
Someone brought in a violin to
show Karen, and she never played piano again. But she made that violin sing,
and people weep. Until she was introduced to the flute. She never picked up the
violin again.
And so it went. Each new
instrument brought a wealth of new music. The price was the last instrument. It
seemed a fair trade, and no one knew the depth of it until later. When Karen
tried to return to piano, she couldn’t play a note. Her fingers could tap the
keys and produce sound. She could read the most complicated scores. But she
could not put the two together, no matter how she tried. She lay her head on
the keyboard and wept. Until someone brought a piccolo to distract her. After a
few weeks, she decided it was too screechy and picked up the viola.
Karen learned to take her time
with each instrument. She had no learning curve. From the moment she touched
it, she could draw music from it like the most seasoned professional musician.
She undertook the challenge to play everything ever written for each
instrument. Because once she left, she knew, somehow, she could never return.
She treasured every piece, every
style, even the ones she didn’t particularly care for. She would never name
favorites, likes or dislikes. It felt disloyal to the instrument, to the music.
People called her talent a gift.
Sometimes she thought it was a curse. She longed to play the piano again. She
had been so young. She hadn’t even known Chopin, or Beethoven. She could play
them on other instruments, the clavinet, the dulcitone, but it wasn’t the same.
In her teens, when she was working her way through the cello, she was at a
party and someone tossed her castinets. She caught them out of the air and
started a rapid-fire rhythm, tears running down her face as she realized the
cello was lost to her forever.
When she was 19, away at Juliard, her father called. It was time to come home. Her mother was dying. Karen drove through the night and never left her mother’s side, playing the guitar day and night to soothe her mother and help her sleep through the pain of those final weeks. The day her mother died, she lay down the guitar and swore she would never play it again.
That night, the dreams began.
Music:
|
Yo Yo Ma, Bach Cello
Suites
|
|
|
Time writing:
|
~30 minutes
|
|
|
July word
count:
|
1,651
|
Ooo, chilling. The telling of background probably goes on a bit long, but I like all of it! Could probably be made more concise in revision and keep the good chill...
ReplyDeleteThanks - reading over it, I agree. :)
DeleteNew plan: I'll tell you about the writing I did *yesterday*. Sometimes I don't have time to visit the internet after writing!
ReplyDeleteYesterday: novel editing 45min with baby + 30min without
LOL You probably got more done in the 30 minute session, I'm betting ;)
DeleteGood work though. Keep it up!